In Swiss art museums as a whole, only 26 percent of the ... and at that time there were hardly any female artists. I really think this is a conversation of opportunity.”, How These 7 Women Are Making the Art World More Diverse, The Women Artists Who Deserve Our Attention, According to 9 Leading Artists, How Female Artists Are Subverting Mainstream Portrayals of Women, Why the Hazy, Luminous Landscapes of Tonalism Resonate Today, A Year of Yes: Reimagining Feminism at the Brooklyn Museum. “And that by placing women artists in this collection, she could place them in a central place in the canon of modern and contemporary art.” Doolin has annually added to her initial gift of $750,000, enabling the museum to purchase 14 works by 8 artists to date, including, “The Brooklyn Museum, compared to many institutions of this type, does not have large pools of acquisition funds,” said Catherine Morris, senior curator for the Sackler Center. The study also highlights museums that significantly under- or over-performed in certain demographic categories. Some museums fared relatively better than others: The Guardian notes that African-American artists constitute 10.6 percent of artists in the Atlanta High Museum of … Before discussing why women are underrepresented in art history, two things are important to mention. Yet even this figure was … Joan Brown, “Self-Portrait,” 1977. “It makes it so evident to our community that we’re a museum committed to artists working today.”, Female Artists Made Little Progress in Museums Since 2008, Survey Finds. That museum, Ms. Burns pointed out, made an explicit commitment to increasing representation of female artists. Only 4 percent of the art acquired by the museum between 2008 to 2018 was by women — 3,788 of 90,215 works. In the past decade, only 11 percent of all work acquired by the country’s top museums was by women. ... who is in the top 25 female artists collected by US museums, according to our data. Irene Williams, Blocks and strips, 2003. According to the data that the researchers gathered through Artnet’s Price Database, acquisitions of women-made art stagnated even as the auction market for work by women more than doubled between 2008 and 2018. “We thought that would be enough money spent to acquire a number of works that can make a statement on our walls and add to our collection,” Naeem added, clarifying that there is no target amount of work. At the Museum of Fine Arts in Boston, only 4 percent of the art acquired between 2008 to 2018 was by women, or 3,788 out of 90,215 works acquired by the museum. “It’s the idea of women artists being more of a risk, which seems to speak to a sort of institutional timidity,” said Charlotte Burns, the executive editor of “In Other Words.”. The barometer of achievement for female artists, experts agree, is not the number of solo and group exhibitions they are given, which are often less expensive and easier to mount, but direct purchases by the museum for their permanent collections, as well as donations. Brooke Davis Anderson, the director of the museum at Pennsylvania Academy of the Fine Arts, said although the process of selling art from a collection, called deaccessioning, can be controversial, the museum continues to do it to make room for acquisitions — especially those by female artists. Now, the Baltimore Museum of Art is trying to change that in a big way -- by only purchasing works by women artists in 2020. Courtesy of Museum of Fine Arts, Boston, and the Souls Grown Deep Foundation. In doing this research, Ms. Burns and Ms. Halperin reasoned that some critics might argue that women are simply outnumbered by men in the fine art world. Museums Still Lag When It Comes to Acquiring Works by Women Artists Between 2008 and 2018, artwork by women represented just 11 percent … The Guerrilla girlsdid not believe that the unequal representation of women in art history was a coincidence. Only 10% of works in The High Museum of Arts in Atlanta were made by Black artists. Courtesy of Nasher Sculpture Center. First, we provide estimates of gender and ethnic diversity at each museum, and overall, we find that 85% of artists are white and 87% are men. Courtesy of Brooklyn Museum. The research does not differentiate between large and small exhibitions, leaving open the possibility that the climbing number is not necessarily an indicator of significant change. While Tate appears to have a 30% cap on the collection of female artists, its allocation of annual budget is even worse, with as little as 13% spent on works by female artists in recent years. However, the sale of women’s artwork in the global auction market comprises only 2 percent of the total market share, according to the researchers. Augusta Savage, Gamin, 1929. Limited-Edition Prints by Leading Artists. Analysis of gender, age, race, and ethnicity showed that 85% of artists in these museum collections are white, and 87% are men; the general U.S. population is 60.7% white non-hispanic and 50.8% female, according to recent census data. It collected 21 works by women in 2008. The Hopper, “East Wind Over Weehawken,” sold for $36 million. From 2008 to 2018, according to their data, 14 percent of all exhibitions were either solo shows featuring female artists or group exhibitions in which the majority of artists were female. The museum is also intending to be transparent about the process and will launch a micro-website to share information about the acquisition process, which also involves input from scholars and artists of various gender identities and backgrounds. Gee’s Bend quilter Mary Margaret Pettway in the exhibition “Souls Grown Deep: Artists of the African American South” at the Philadelphia Museum of Art, 2019. Of the roughly 5,800 female artists whose works were acquired, 190 women — or just 3 percent — were African-American. Over the past decade, there has been a sense in the art world that gender equity was on the horizon: Emerging female artists were landing high-profile solo shows, museums were staging women-themed exhibitions, grants were being awarded to boost female artists, and long-neglected artists were being given overdue recognition. “The shows for women were getting more attention, but the numbers actually weren’t changing.”. 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